However, only 1/3rd of Hammer films were horror! “Hammer was like a family, a very talented family… with a wonderful atmosphere on the set and a wonderful sense of humour,” said Shelley, who born Barbara Kowin in London in 1932. [49], — Martin Scorsese on the heyday of the horror movie.[50]. The company tackled other genres, including psychological thrillers, sci-fi, noir and historical epic. They featured a cast as diverse as Peter Cushing, Brian Cox, David Carradine, Stephanie Beacham, Diana Dors and even Pierce Brosnan. Hammer House of Horror, contained tales of genuine horror laced with a twinkle of dark humour. In fact, someone will almost certainly have been sick. Michael Gough. A decision was made to remodel Down Place into a substantial, custom-fitted studio complex[16] that became known as Bray Studios. In 1969 Tony Hinds resigned from the Hammer board and retired from the industry. The Evil of Frankenstein stars Cushing but due to an agreement made with Universal to more closely pastiche their version of the Frankenstein story, it re-tells the Baron's history in flashbacks that bear no resemblance to the two earlier Hammer Frankenstein films, and portrays the Baron with a very different personality, resulting in a film which permanently breaks the chronological continuation of the series. Hammer's horror films were often praised by critics for their visual style, although rarely taken seriously. (The Encyclopedia of British Film characterized the remake as "about as witless and charmless as could be conceived".)[42]. [17] It was Lippert's insistence on an American star in the Hammer films he was to distribute that led to the prevalence of American leads in many of the company's productions during the 1950s. The early Hammer films offer a last gasp of British romanticism, the solid sets drenched in a soft brilliance of shadows, of greys, reds and blues; when these films stray into the far woods, it's always autumn there, never spring. On 10 May 2007, it was announced that Dutch producer John De Mol had purchased the Hammer Films rights via his private equity firm Cyrte Investments. In April 2012, the company announced it was to make a sequel to The Woman in Black titled The Woman in Black: Angel of Death. [51] Critics who specialise in cult films, like Kim Newman, have praised Hammer Horror more fully, enjoying their atmosphere, craftsmanship and occasional camp appeal. Hammer House of Horror Edit. Not only did the script contain horror and graphic violence, but it would be portrayed in vivid colour.[22]. This list of the The Horror of Hammer actors’ names (actors in the movie The Horror of Hammer) contains photos of the cast members when available. Dracula had been a successful film character for Universal in the past, and the copyright situation was more complicated than for Frankenstein. Barbara was born in London and began her career as an actor in the mid-1950s after moving to Italy. The first spin-off made was Hammer's biggest domestic earner of the 1970s and was popular enough to produce two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973), seeing Hammer return to their pre-horror practice of adapting television properties for the cinema as they had once done with PC 49 and Dick Barton. — Hammer Horror Films (@HorrorHammer1) January 4, 2021. [2] Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series. In the 2000s, although the company seemed to be in hibernation, frequent announcements had been made of new projects. Establishing the fanged vampire in popular culture, Lee also introduced a dark, brooding sexuality to the character. Daniel Radcliffe stars as lawyer Arthur Kipps. The agreement was between Cadogan, a Hammer subsidiary, and Universal. Hammer Films had commercial success with some atypical output during this period, with film versions of several British TV situation comedies, most notably the ITV series On the Buses (1971). In this film, it was bright red, and the camera lingered on it. Sangster submitted his script to the BBFC for examination. The running time varied from 69 to 73 minutes. You can use the actors in this list to create a new list, re-rank it to fit your views, then share it on Facebook, Twitter or any other social networks you belong to. BARBARA Shelley, the actress hailed as the "Queen of Hammer," has died at the age of 88. [36], Hammer also produced a half-hour pilot titled Tales of Frankenstein (1958) that was intended to premiere on American television; it was never picked up, but is now available on DVD. These three films are: Running alongside production of their 1960s gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. Barbara Shelley's movies. [11] He convinced Anthony Hinds to rejoin the company, and a revived Hammer Film Productions set to work on Death in High Heels, The Dark Road, and Crime Reporter. The Curse of Frankenstein. The company began shooting a new horror/thriller film in Donegal in 2008, backed by the Irish Film Board. And shocking. It was released on 10 April 2014 in the UK and 25 April in the US. [15] Five films were produced there: Man in Black (1949), Room to Let (1949), Someone at the Door (1949), What the Butler Saw (1950), The Lady Craved Excitement (1950). This wiki covers all the Hammer Horror films as well as the characters in their films, the actors and the writers, producers and hammer studios history in general. The company eventually ceased production in the mid-1980s. ... (2 episodes, 1980) Alan Gibson. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. Hammer's first significant experiment with horror came in a 1955 adaptation of Nigel Kneale's BBC Television science fiction serial The Quatermass Experiment, directed by Val Guest. Notable examples were: Hammer made a number of swashbucklers, including: Hammer had some success with films set in the British Empire, such as: On 29 May 1968, Hammer was awarded the Queen's Award to Industry in recognition of their contribution to the British economy. [3] The company announced plans to begin making films again after this, but none were produced. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. The Satanic Rites of Dracula, then called Dracula is Dead... and Well and Living in London, indulged the turn toward self-parody suggested by the title, with some humour appearing in the script, undercutting any sense of horror. Hammer Horror Edit. Despite the success of The Curse of Frankenstein, the financing of Dracula proved awkward. The expansive grounds were used for much of the later location shooting in Hammer's films, and are a key to the 'Hammer look'. The Best! This castmember list includes all major roles and many bit parts for actors in this movie. And of course, some of the stake-work is prohibitive."[27]. In 1951, Hammer began shooting at their most fondly-remembered base, Down Place, on the banks of the Thames. The brand is still alive but no one has invested in it for a long time. [29] However, recent research suggests that the issue of who exactly funded Dracula is still not entirely clear (see Barnett, ‘Hammering out a Deal: The Contractual and Commercial Contexts of The Curse of Frankenstein (1957) and Dracula (1958)’, Historical Journal of Film, Radio and Television, published online 19 November 2013). The company signed a one-year lease and began its 1951 production schedule with Cloudburst. Hammer Film: Taste The Blood Of Dracula (1970) The following year, Linda bared all in the non-Hammer horror flick Blood on Satan’s Claw (1971), then continued the trend of disrobing in a series of raunchy British comedies: Confessions of a Window Cleaner (1974) and the subtly titled Let’s Get Laid (1978).. 4. length as their previous series, but it was decided to expand them to feature-length to market them as 'movies of the week' in the US. were not prepared to back a film made by Rosenberg and Subotsky, who had just one film to their credit. The Brides of Dracula did not include Dracula but is still considered part of the series since Peter Cushing reprises his role as Dr. J. In August 1949, complaints from locals about noise during night filming forced Hammer to leave Dial Close and move into another mansion, Oakley Court, also on the banks of the Thames between Windsor and Maidenhead. Although the novel by Mary Shelley was long since in the public domain, Anthony Hinds was unsure about the story, as Subotsky's script adhered closely to the plot of the 1939 Universal film Son of Frankenstein, featuring a second-generation Baron Frankenstein emulating his father, the original monster-maker. During the late 1960s and 1970s, the saturation of the horror film market by competitors and the loss of American funding forced changes to the previously lucrative Hammer formula, with varying degrees of success. Having escaped execution and assumed an alias, Baron Frankenstein transplants his deformed underling's brain into a perfect body, but the effectiveness of the process and the secret of his identity soon begin to unravel. All the other things I did, nobody remembers those. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, … The actress was best-known for the Hammer Horror films as well as Doctor Who. It found success on the European continent also, where Italian directors and audiences were particularly receptive. In May 2007, the company name was sold to a consortium headed by Dutch media tycoon John de Mol, who announced plans to spend some $50 million (£25m) on new horror films. Hammer Horror film series (1958–1974) The original series of films consisted of nine … Hammer moved into the Exclusive offices in 113-117 Wardour Street, and the building was rechristened "Hammer House".[14]. It is scheduled to be released on 15 November 2019, by NEON. They must take it away and prune. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, who has died aged 88 after contracting Covid-19. They absolutely ooze with beautiful, vivid artistry, akin to Guillermo Del Toro. [...] The curse of this thing is the Technicolor blood: why need vampires be messier eaters than anyone else? Until The Curse of Frankenstein, horror films had not shown blood in a graphic way, or when they did, it was concealed by monochrome photography. Did you know Christopher Lee was knighted? For the next production, Dr Morelle - The Case of the Missing Heiress (another radio adaptation), Hammer rented Dial Close, a 23 bedroom mansion beside the River Thames, at Cookham Dean, Maidenhead. Although an agreement was drawn up, it is alleged that the deal was never realised and funding for Dracula eventually came from the National Film Finance Council (£33,000) and the rest from Universal in return for worldwide distribution rights. The Curse of the Mummy's Tomb supported the slightly more prestigious The Gorgon, whilst The Mummy's Shroud was a second feature for Frankenstein Created Woman. [30] Peter Cushing again had top-billing, this time as Doctor Van Helsing, whilst Christopher Lee starred as Count Dracula, with direction by Terence Fisher and a set design by Bernard Robinson that was radically different from the Universal adaptation; it was so radical, in fact, that Hammer executives considered paying him off and finding another designer.[31]. The new organization acquired the Hammer group's film library, consisting of 295 pictures. During this period, two young American filmmakers, Max J. Rosenberg and Milton Subotsky, who later established Hammer's rival Amicus, submitted to a.a.p. [44][45] It was released in the US and UK in March 2011. Hammer Film Productions Ltd. is a British film production company based in London. During the production of Dick Barton Strikes Back (1948), it became apparent that the company could save a considerable amount of money by shooting in country houses instead of studios. Plans were made to shoot the film in Eastmancolor – a decision which caused worry at the BBFC. In 2003, for example, the studio announced plans to work with Australian company Pictures in Paradise to develop new horror films for the DVD and cinema market. THE EXORCIST 4 (2004) Stellan Skarsgard - WTF Happened to the Horror Movie FATALE Clip - "I'm Val By The Way" + Trailer (2020) SOUL Featurette - "Tina Fey Tries Everything" + Trailer (2020) Shelley as she appeared in 1964 TV series Rupert of Hentzau. Valerie Leon. Michael Carreras' letter to Max Rosenberg, quoted in Kinsey, p51. Madeline Smith. [40] Hammer's last production, in 1979, was a remake of Alfred Hitchcock's 1938 thriller The Lady Vanishes, starring Elliott Gould and Cybill Shepherd. The actress died from underlying conditions on … 2. (15 Items), Flesh and Blood: The Hammer Heritage of Horror. The film tells the story of Henry Henry, an unemployed London street musician, and the title was a "playful tribute" to Alexander Korda's The Private Life of Henry VIII which was Britain's first Academy Award for Best Picture nominee in 1934. The company soon realised, however, that if they could not be as gory as the new American productions, they could follow a trend in European films of the time and instead play up the sexual content of their films. The contract meant that Lippert Pictures and Exclusive effectively exchanged products for distribution on their respective sides of the Atlantic – beginning in 1951 with The Last Page and ending with 1955's Women Without Men (a.k.a. The film was an enormous success, not only in Great Britain, but also in the U.S., where it inspired numerous imitations from, amongst others, Roger Corman and American International Pictures (with their series largely based on Edgar Allan Poe – the so-called "Poe Cycle"). Hammer made its first color horror film in 1957, and the color was blood red. For Halloween consideration, here’s the best films Hammer offered up. Christopher Lee returned as Dracula for the following six films, which employed ingenuity in finding new ways to resurrect the Count. The Mummy went into general release on 23 October 1959 and broke the box-office records set by Dracula the previous year, both in Great Britain and the U.S. when it was released there in December.[35]. Hammer's financial success also meant the winding-down of the parent film distribution company Exclusive, leaving Hammer to concentrate on filmmaking.[26]. A good chunk of those movies were Hammer Horror. A legal agreement between Hammer and Universal was not completed until 31 March 1958 – after the film had been shot – and was 80 pages long. Jane Goldman wrote the film's screenplay, with James Watkins in the director's chair. His most recognizable role for the studio was as Count Dracula, but he also portrayed Frankenstein’s monster and the Mummy. This series was Hammer's final production of the 20th century, and the studio went into semi-permanent hiatus. • Michael Carreras, a.k.a. The company name came from Hinds' stage name, Will Hammer, which he had taken from the area of London in which he lived, Hammersmith.[7]. A dispute with the Association of Cinematograph Technicians blocked this proposal, and instead the company purchased the freehold of Down Place. He returned for a final time as yet another Van Helsing character (Professor Laurence Van Helsing) for the horror / martial arts crossover The Legend of the 7 Golden Vampires, a movie once again set in a new Dracula timeline. The Legend of the 7 Golden Vampires (1974), a co-production with Hong Kong's Shaw Brothers which attempted to combine Hammer's brand of horror with the martial arts film, and To the Devil a Daughter (1976), their third adaptation of a Dennis Wheatley novel, were both quite successful at the U.K. box office, but Hammer were unable to capitalise on them as most of the profits went to other financial backers. In 2000, the studio was bought by a consortium including advertising executive and art collector Charles Saatchi and publishing millionaires Neil Mendoza and William Sieghart. Once again it starred both Peter Cushing (as John Banning) and Christopher Lee (as Kharis the Mummy), and was directed by Terence Fisher from a screenplay from Jimmy Sangster. Roman Polanski's Rosemary's Baby was a successful example of psychological horror, while Bonnie and Clyde and The Wild Bunch exposed mainstream audiences to more explicit gore, and were more expertly staged than Hammer films. (1974's Frankenstein and the Monster from Hell, for example, features a scene where the Baron treads on a discarded human brain.). [8] During this time Hinds met Spanish émigré Enrique Carreras, a former cinema owner, and on 10 May 1935 they formed the film distribution company Exclusive Films, operating from an office at 60-66 National House, Wardour Street. It's not a comedy, but it's got a comic title. Dracula was an enormous success, breaking box-office records in the U.K., the U.S. (where it was released as Horror of Dracula), Canada, and across the world. Production designer Bernard Robinson and cinematographer Jack Asher were instrumental in creating the lavish look of the early Hammer films, usually on a very restricted budget. Although no longer a force in horror cinema, Hammer discovered another outlet for horror product – television. Simon Oakes, who took over as CEO of the new Hammer, said, "Hammer is a great British brand — we intend to take it back into production and develop its global potential. https://www.denofgeek.com/movies/13-greatest-hammer-horror-monsters A second television anthology series, Hammer House of Mystery and Suspense, was produced in 1984 and ran for 13 episodes. I can think of twenty adjectives — fatuous, pointless, absurd. The series was first aired on ABC from September 26, 1968 to January 30, 1969, prior to broadcast in the UK on ITV during 1969. In June 2010, it was announced that Hammer acquired Wake, a script by Chris Borrelli for an action feature to be directed by Danish filmmaker Kasper Barfoed. The talent agency, Dr Morelle - The Case of the Missing Heiress, Learn how and when to remove this template message, The Phantom Raspberry Blower of Old London Town, Wallace & Gromit: The Curse of the Were-Rabbit, BFI Most Wanted: The Public Life of Henry the Ninth, "Why Christopher Lee's Dracula didn't suck", "We Chat with Hammer Chief Simon Oakes about Christopher Lee's Return to Horror and the 'Let the Right One In' Remake! Blood from the Mummy's Tomb was a modern-day take on Bram Stoker's The Jewel of Seven Stars and featured Valerie Leon as a reincarnated Egyptian princess, rather than a mummy. In addition a great deal of polishing and additional material was needed, as the short script had an estimated running time of just 55 minutes, far less than the minimum of 90 minutes needed for distribution in the U.K. The Mummy (the title used for the remake of The Mummy's Hand, which also incorporated significant story elements from that film's first two sequels, The Mummy's Tomb and The Mummy's Ghost) was made in 1959, The Phantom of the Opera followed in 1962, and Hammer collaborated with William Castle on a remake of The Old Dark House in 1963. The actress - who starred in 1950s and 1960s Hammer Horror films - acted with other icons including Peter Cushing and Christopher Lee. This morning the actress passed away after contracting COVID-19, her agent confirmed. Peter Cushing (1913 - 1994) Hammer Credits: The Curse Of Frankenstein, The Abominable Snowman Of The Himalayas, Horror Of Dracula, The Revenge Of frankenstein, The Hound Of The Baskervilles, The Mummy, The Brides Of Dracula, Cash On Demand, The Evil Of Frankenstein, The Gorgon, She, Dracula-Prince Of Darkness (in flashback sequence from Horror … The project was handed to Tony Hinds, who was less impressed with the script than Michael Carreras, and whose vision for the film was a simple black-and-white 'quickie' made in three weeks. 3. Barbara was popular for her roles in classic horror films which were produced by London-based Hammer Film Productions, including The Gorgon, The Pit and Quatermass. Shown on ITV, it ran for 13 episodes with a running length of approximately 51 minutes each. In 1980, Hammer Films created an anthology series for British television, Hammer House of Horror. The success of The Quatermass Xperiment (1955; The Creeping Unknown in the U.S.) led to two sequels: There were also two Quatermass-style films: Six sequels to The Curse of Frankenstein were released between 1958 and 1974: All starred Peter Cushing as Baron Frankenstein, except The Horror of Frankenstein (which was not a sequel, but a tongue-in-cheek remake of The Curse of Frankenstein), in which Ralph Bates took the title role. A surprising experience. As a consequence of the contract with Robert Lippert, American actor Brian Donlevy was imported for the lead role and the title was changed to The Quatermass Xperiment to cash in on the new X certificate for horror films. In 1972, while working in the Hammer horror film, Dracula A.D. 1972, she The film was unexpectedly popular, and led to the popular 1957 sequel Quatermass 2 – again adapted from one of Kneale's television scripts, this time by Kneale and with a budget double that of the original: £92,000. According to an article in Variety detailing the transaction, the new Hammer Films will be run by former Liberty Global execs Simon Oakes and Marc Schipper. Work continued on the script for Dracula, and the second draft was submitted to the BBFC. In addition, Guy East and Nigel Sinclair of L.A.-based Spitfire Pictures are on board to produce two to three horror films or thrillers a year for the U.K.-based studio. ", "Reborn Hammer Films to Remake Let the Right One In", "Hammer Films Acquires Black List Writer's 'Wake, "Woman in Black film sequel announced by Hammer", https://deadline.com/2019/09/studiocanal-inks-library-deal-with-classic-horror-brand-hammer-films-1202747967, "The devil's work: gothic films at the BFI", "A History of Horror with Mark Gatiss - Q&A with Mark Gatiss", https://en.wikipedia.org/w/index.php?title=Hammer_Film_Productions&oldid=997126276, Film production companies of the United Kingdom, Articles needing additional references from November 2019, All articles needing additional references, Articles with unsourced statements from May 2019, Articles with French-language sources (fr), Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Seasons of the BBC science fiction series, Much of the dark humour of the BBC comedy series, In 2010, Mark Gatiss devoted a large part of the second episode of his, The British radio dramatist Marty Ross acknowledged a debt to Hammer with regard to his two serials for, In an interview for the new Blu-ray release of, This page was last edited on 30 December 2020, at 03:19. Rosenberg would often claim he 'produced' The Curse of Frankenstein, an exaggeration repeated in his obituary. Meanwhile, George A. Romero's Night of the Living Dead (1968) had set a new standard for graphic violence in horror films. The Resident, a thriller directed and co-written by Finnish filmmaker Antti Jokinen and starring Hilary Swank, Jeffrey Dean Morgan and Christopher Lee. They included some of the most explicit scenes of lesbianism yet seen in mainstream English-language films, along with a corresponding increase in sequences involving nudity, despite otherwise traditional Hammer design and direction. Neither did I. Lee has been in 266 films since 1948: that’s impressive. In A History of Horror, Mark Gatiss remarked that Hammer's earlier films were taken seriously at the time, in comparison to the trademark camp appeal of their later works. The film was produced in collaboration with the Swedish company Solid Entertainment, makers of the vampire film Frostbiten, which pays homage to the Hammer vampire films among others. serial. Principal photography for The Mummy began on 23 February 1959 and lasted until 16 April 1959. Hammer Films struggled on throughout the 1970s before going into liquidation in 1979. The presentation ceremony took place on the steps of the Castle Dracula set at Pinewood Studios, during the filming of Dracula Has Risen from the Grave.[39]. "Altogether this is a horrific film and sometimes a crude film, but by no means an unimpressive piece of melodramatic storytelling" wrote one critic of Dracula in The Times in 1958. deal, The Camp on Blood Island and The Snorkel. The actress was the star of 1950s and 1960s Hammer Horror films … Director:Terence Fisher|Stars:Peter Cushing, … In addition to holding the rights to over 300 Hammer films, De Mol's company plans to restart the studio. Before they take it away, however, I think the President [of the BBFC] should read it. Christopher Lee grew increasingly disillusioned with the direction the character was being taken and with the poor quality of later scripts, although he did improve these slightly himself by adding lines of dialogue from the original novel. These low-budget suspense thrillers, often in black-and-white, were made in the mould of Les Diaboliques (1955), although more often compared to the later Psycho. Barbara Shelley, best known for her roles in Hammer horror films and Doctor Who, passed away at the age of 88 after contracting coronavirus (COVID-19). This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. 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